And then I thought: Perhaps that is what it means to be a father — to teach your child to live without you.

Nicole Krauss, The History of Love (via jjoongie)

(via literaryabortions)

Source: jjoongie

Originally from counting pulses:

I filled my gas tank to 33 dollars and 33 cents
and told you it was for you
because it was your favorite number.

I organized our belongings
(white t-shirts—books—toothbrushes—
baby, this is where we keep our sweaters)
as if using the word “our” would embed myself
into what you call home.

I bought flowers from a homeless man
because you are a botany major.
I wanted to bring them to you,
wilting and loveless, and show you how
I can nurture something worth saving.

There is a five-finger scar above my breast.
There is an orchestra on my neck shaped like your pulse
from all the nights you held me the way
you only hold something slipping.

There are 6 states
pressed like stubborn flowers
between the last time I kissed you and today,
but you still feel like a sound caught in my throat.

Sierra DeMulder, “During the Month it Took You to Leave Me”
from The Bones Below

(via sierrademulder)

(via sierrademulder)

Source: lazyteen

Originally from the spotless mind

I love you, even if there isn’t any me, or any love, or even any life. I love you.

Zelda Fitzgerald  (via prinsith)

(via literaryabortions)

Source: quotelibrary.info

Originally from quote library.

(via featheronaflume)

Source: talkaboutourbigplans

Originally from talk about our big plans

This was the wonderful thing about strangers. They were big blank pieces of paper, you could draw whatever you liked on their impressionable surfaces.

Janet Fitch (via 4mbivalent)

(via literaryabortions)

Originally from Logophile

Abuela, did you ever figure out how to stay in love? I promise I won’t tell a soul.

Denice Frohman - Abuela

Time Passes. Listen. Time Passes.
Come closer now.
Only you can hear the houses sleeping in the streets in the slow deep salt and silent black, bandaged night. Only you can see, in the blinded bedrooms, the combs and petticoats over the chairs, the jugs and basins, the glasses of teeth, Thou Shalt Not on the wall, the yellowing dickybird-watching pictures of the dead. Only you can hear and see, behind the eyes of the sleepers, the movements and countries and mazes and colours and dismays and rainbows and tunes and wishes and flight and fall and despairs and big seas of their dreams.
From where you are, you can hear their dreams.

Dylan Thomas, from “Under Milk Wood”  (via drugz)

Originally from Feels like a murder

dgrimsen:

Phil Kaye - Repetition

(via buttonpoetry)

Originally from The Writings of a Precarious 20 Year Old

Kingdom Animilia (Aracelis Girmay)

When I get the call about my brother, 
I’m on a stopped train leaving town
& the news packs into me—freight—
though it’s him on the other end
now, saying finefine

Forfeit my eyes, I want to turn away
from the hair on the floor of his house
& how it got there Monday,
but my one heart falls
like a sad, fat persimmon
dropped by the hand of the Turczyn’s old tree.

I want to sleep. I do not want to sleep. See,

one day, not today, not now, we will be gone
from this earth where we know the gladiolas.
My brother, this noise,
some love [you] I loved
with all my brain, & breath,
will be gone; I’ve been told, today, to consider this
as I ride the long tracks out & dream so good

I see a plant in the window of the house
my brother shares with his love, their shoes. & there
he is, asleep in bed
with this same woman whose long skin
covers all of her bones, in a city called Oakland,
& their dreams hang above them
a little like a chandelier, & their teeth
flash in the night, oh, body.

Oh, body, be held now by whom you love.
Whole years will be spent, underneath these impossible stars,
when dirt’s the only animal who will sleep with you
& touch you with
its mouth.
I’m not gonna sit around and waste my precious divine energy trying to explain and be ashamed of things you think are wrong with me.

Esperanza Spalding (via poemsbydes)

Originally from Desireé Dallagiacomo

Survival Poem #17 (Marty McConnell)

because this is what you do. get up.
blame the liquor for the heaviness. call in late
to work. go to the couch because the bed
is too empty. watch people scream about love
on Jerry Springer. count the ways
it could be worse. it could be last week
when the missing got so big
you wrote him a letter
and sent it. it could be yesterday, no work
to go to, whole day looming.
it could be last month
or the month before, when you still
thought maybe. still carried plans
around with you like talismans.
you could have kissed him last night.
could have gone home with him, given in,
cried after, softly, face to the wall, his heavy arm
around you, hand on your stomach, rubbing.
shower. remember your body. water
hotter than you can stand. sit
on the shower floor. the word
devastated ringing the tub. buildings
collapsed into themselves. ribs
caving toward the spine. recite
the strongest poem you know. a spell
against the lonely that gets you
in crowds and on three hours’ sleep.
wonder where the gods are now.
get up. because death is not
an alternative. because this is what you do.
air like soup, move. door, hallway, room.
pants, socks, shoes. sweater. coat. cold.
wish you were a bird. remember you
are not you, now. you are you
a year from now. how does that
woman walk? she is not sick or sad.
doesn’t even remember today.
has been to Europe. what song
is she humming? now. right now.
that’s it.

I was jealous of her writing. The only writing I have ever been jealous of.

Virginia Woolf on Katherine Mansfield (Diaries, vol. 2, p. 227)

My space-brain already took to blast-off early this morning.

Kaycee Filson
(listsonlips.tumblr.com)

Little black girls were never taken seri­ously in books, they were always jokes…But I wanted to read a book where they were taken seri­ously, so I had to write it.

Toni Morrison (Emperor of Realness)

Originally from A N G E L N A F I S

For the Queer Girls who Dream of Drowning (Lindsay Miller)

Fast forward ten years. The first thing you will notice is that you are taller. Not necessarily farther from the ground, but closer to the sky. This may at first be dizzying, especially if you never learned how to breathe. Practice. Meet your lungs. Take note of the way your skin fits, how your bones have grown into your skeleton. Your shoulders are perfectly balanced at the top of your spine. Your arms are long enough to reach your hands. This, you will discover, is what people who know anything mean when they say beautiful.

Investigate the body you are in. Reach for both horizons at once and discover your wingspan. Crack your knuckles. Lick the gap between your teeth. Place your fingers against the underside of your wrist and feel for a pulse. If you have one, it means you’re lonely. That’s good. This is a good world to be lonely in. Explore the space you take up, the way your body displaces air in the shape of: calves, hips, belly, chin. Trace the path of tingling from lips to nipples to between your legs. Notice that your skin is the color of new skin after the old skin has peeled away.  Feel underneath your sternum: there. A scar. Your body has opened up, allowed egress to something it no longer needed, like an appendix. This was painful once, as doorways always are. 

Excavate yourself. Turn inside out like a pocket and examine what falls to the ground. There should be just enough coins to take a bus to anywhere. A pressed flower with a breath of purple left in it, the exact shade ofI will always remember you fondly. Keys meant to open something old and worthy. Lint. The lint means you have been places, smelled dust, shaken off dead cells. A piece of paper with a name on it. Nothing sharp: you don’t carry razor blades under your fingernails anymore.

The suitcase you packed before leaving your parents’ house is here, spine-creased books and a one-eyed stuffed dog. The green dress that made your collarbone a lie. Your first lipstick. Jeans that will always have the stain from that night, an empty whiskey bottle.  Spread them out like tarot cards on the pavement: the past, the present, the wish. Where the tenth and final card would be, place yourself.

Practice listening to sounds other than the grinding of your teeth. Songs are a good place to start, especially songs with piano accompaniment and lyrics about changing seasons. Listen to crickets. Learn how to divine the temperature from their chirps. Listen to the ground underneath you. Gravity will keep you here until you are ready to leave.

You can still recite those sad poems from memory, but they don’t resonate in your chest the way they used to. You can walk across a bridge without counting the seconds between your bones and the concrete below. There is an ocean, but it is far away, not filling up your mouth. There will be people who want to touch you gently. You know that you can still feel pain, in your eyes and hands especially.  But in this moment, all you know of your body is open arms.